SELECTED BIBLIOGRAPHY |
2021 |
EDGINGTON, Colin. “David Row at Locks Gallery” The Brooklyn Rail, May. |
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KEYES, Bob. “Rockland gallery makes way for the shapes of David Row.” The Portland Press Herald, June , 6, Sunday Arts Section, p. 1. |
2019 |
BEEM, Edgar Allen. “Maine and the Art World.” Maine Arts Journal, Fall 2019. |
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BEEM, Edgar Allen. “Maine in the Abstract.” Maine Arts Journal, Summer 2019. |
2018 |
MALONE, Peter. “Naught and Crosses: David Row at Loretta Howard.” Artcritical, October 2. |
2017 |
MAC ADAM, Barbara. “DAVID ROW with Barbara MacAdam” The Brookly Rail, November 2. |
2016 |
MAINE, Stephen. “Calisthenic Abstraction: Four Decades of David Row.” Artcritical, March 6. |
2014 |
COHEN, David. “The Review Panel.” With panel: Barry Schwabsky, Drew Lowenstein and Nora Griffin, Artcritical, March 7 (with web podcast). |
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MAC ADAM, Alfred. “David Row: Loretta Howard” Artnews, May, 2014, pp. 101. |
2012 |
KARMEL, Pepe. “Conceptual Abstraction.” Hunter College Press, New York. |
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LEHRER, Jonah. Emergence & Structure. UF Gainsboro Press. |
2010 |
MATTER, Charlotte. “David Row.” Von Bartha Quarterly, Basel, Switzerland, 01/10, cover & pp. 8-9. |
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HARING, Valerie and HILYARD, Matthew. “Pulp: Works on Paper.” E.B. White Gallery, March 2010, pp. 1, 10. |
2009 |
POLSKY, Richard. “I sold Andy Warhol (too soon)” Other Press, New York. |
2008 |
POLSKY, Richard. “An Art Mutual Fund” ArtNet Magazine, May 30, 2008, featured article. |
2007 |
WEI, Lilly. “David Row at Von Lintel” Art in America, February 2007, pp. 148. |
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MAC ADAM, Barbara. “The New Abstraction” Art News, April 2007, pp. 115. |
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POLSKY, Richard. “Abstract Logic” Absolute, February/March 2007, pp. 65. |
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SCHUBERT, Lisa. The Flag Project, Rubin Museum, 2007, pp. 131, 185. |
2006 |
BAKER, RC. “Best in Show: David Row” Village Voice, November 8-14, pp. 59. |
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NOBEL, Philip. “Frame of Reference.” Architectural Digest, February, pp. 146-147. |
2005 |
LA ROCCO, Ben. “Ideal.” The Brooklyn Rail, July/August, p. 15. |
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KIRSCH, Elisabeth. “Standout Parts.” The Kansas City Star, August 25, p. 27. |
2004 |
FYFE, Joe. “David Row at Von Lintel.” Art in America, December, p. 131. |
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NAVES, Mario. “David Row’s Futuristic Abstraction.” New York Observer, October 11, pp.18. |
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WALTEMATH, Joan “Deep Space.” The Brooklyn Rail, October, pp. 22. |
2003 |
BARBER, Cynthia “David Row’s Language of Abstraction.” Impressions: Tamarind Institute, Winter 2003. |
2002 |
BROOKHART, Melissa. “David Row.” Tema Celeste, March/April, p. 90. |
2001 |
MITCHELL, Charles Dee. “Range of Express… David Row Uses Lines and Color.” The Dallas Morning News, December 5, p. 14C. |
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ZIMMER, William. “Where Landscapes Go Beyond a View of the Horizon.” The New York Times, Sunday, March 11. |
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SHULL, Chris. “The ABCs of Art: Abstract Artist David Row.” The Wichita Eagle, June 24. |
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DAWSON, Jessica. “Reading Between the Layers.” The Washington Post, January 16. |
2000 |
KIRSCH, Elisabeth. “Trading tension for simplicity.” The Kansas City Star, April 7, p. 34. |
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DIEHL, Carol. “David Row at von Lintel & Nusser.” Art in America, February, p. 125. |
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SHEETS, Hilarie M. “David Row.” Art News, January, pp. 164, 166. |
1999 |
EDELMAN, Robert. “David Row.” Art Net.Com, November 21. |
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NAVES, Mario. “David Row Slowly Abandons Compositional Calculation.” New York Observer, November 15, pp. 17, 19. |
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RIERER, Matthias. “New York–Traum Deutbemer Galeristen.” Aufban, November 12, Vol 23, pp. 9. |
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JOHNSON, Ken. “David Row.” The New York Times, November 5, Section E, p. 44. |
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MAC ADAM, Alfred. “David Row.” Art News, April, pp. 14, 121 |
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VINCENT, Steven. “Emmerich and Sothebys: What Happened?” Art & Auction, pp. 10-14. |
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RIBI, Thomas. “Die Sprache der Geometrie auf Brechen.” Neue Zurcher Zeitung, February 5, p. 46 |
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____. “Two Approaches to Genius.” Washington Post, February 11, p. 32. |
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ERFLE, Anne. “Kraftegegen Neue Medien.” Suddeutsche Zeitung, February 11. |
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HORNY, Tinga. “Hier Regiert die Vielfalt.” Handelsblatt Kunstmarkt, February 11. |
1998 |
HOGREFE, Jeffrey. “Emmerich’s Artists Stage Revolt.” The New York Observer, October 12, pp. 1, 25. |
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____. “David Row.” Noëma, December, Nr. 50, p. 10. |
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____. “Flexing the Abs.” New York Contemporary Art Report, November, Vol. 1, Issue IV, p. 121. |
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COLE, Mark. “David Row.” Artlies, Spring, p. 53. |
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CARRIER, David. “Modernist Art and Its Market.” Art Journal, Winter, pp. 102, 104. |
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DANIEL, Mike. “Expanding canvas: David Row energizes a venerable medium.” The Dallas Morning News, February 27, p. 51. |
1997 |
ZINSSER, John. “Continuous Model: the Paintings of David Row.” Edition Lintel, Munich, Germany, 128 pp. |
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MAC ADAM, Alfred. “Studio: David Row.” Art News, June, pp. 85, 86. |
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SCHWABSKY, Barry. “The Widening Circle.” Cambridge University Press, Cambridge UK, pp. 9, 85-88, 93-94, 133. |
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VON PILAR, Ute. “Blick in die Amerikanische Kunstszene.” Wiesbadener Kurier, September 5, 8, 18. |
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VON MELTEN, Birgitta. “Plastikschlauch und Farbe.” Wiesbadener Tagblatt, September 1, 8. |
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WISEMAN, Carter. “Flights and Fancy.” Art News, June, pp. 116-121. |
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SCHMID, Britta. “Farbige Materialhaufen.” Rhein-Maine Zeitung, October 15. |
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UPSHAW, Reagan. “David Row at André Emmerich.” Art in America, March, pp. 105, 106. |
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KOPLOS, Janet. “Drawing from Life’ at Stark.” Art in America, May, p. 126. |
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PAPARONI, Demetrio. “Il Corpo Vedente Dell’Arte.” Castelvecchi, Rome, p. 61. |
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LINN, Charles, AIA. “Cesar Pelli’s New… National Airport…” Architectural Record, October, p. 94. |
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PAPARONI, Demetrio. “Il Corpo Parlante Dell’Arte.” Castelvecchi, Rome, pp. 113-116. |
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SMITH, Roberta. “Palettes Full of Ideas About What Painting Should Be.” The New York Times, November 1. |
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ROSENTHAL, Mark. “Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline.” Guggenheim Museum Publications, New York, New York, pp. 234, 235. |
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PERROT, Antoine. “Peindre? Enquete et Entretiens Sur La Peitre Abstraite.” Positions, Galerie B. Jordan M. Devarrieux, pp. 119-121, 153-156. |
1996 |
SMITH, Roberta. “Palettes Full of Ideas About What Painting Should Be.” The New York Times, November 1. |
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ROSENTHAL, Mark. “Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline.” Guggenheim Museum Publications, New York, New York, pp. 234, 235. |
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PERROT, Antoine. “Peindre? Enquete et Entretiens Sur La Peitre Abstraite.” Positions, Galerie B. Jordan M. Devarrieux, pp. 119-121, 153-156. |
1995 |
ROLLMANN, Barbara. “Aktuell im Munchner Galerien.” Suddeutsche Zeitung, NR 125, June 1. |
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GLUCKMAN, Richard. “If I had…” Art & Auction, December, p. 87. |
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RINDLER, Robert. “Who said the canvas was dead?” At Cooper Union, Fall, p. 4. |
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GOLDBERGER, Paul. “The Art of His Choosing.” The New York Times Magazine, February 26, p. 39. |
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MELROD, George. “Seducing the Eye” Art & Antiques, March, p. 32. |
1994 |
ROSENTHAL, Mark. “Critique of Pure Abstraction: David Row.” Atelier International, June, cover + pp. 102, 103. |
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SCHWABSKY, Barry. “David Row.” Artforum, February, p. 88. |
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SALTZ, Jerry. “A Year in the Life: Tropic of Painting.” Art in America, October, p. 99. |
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KALINA, Richard. “David Row.” Art in America, May, pp. 111, 112. |
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BALDWIN, Karen. “Monotypes from Garner Tullis Workshop.” Ackland Quarterly, Winter, 1993-94, Number 39, cover + p. 9. |
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BRODIE, Jackie. “David Row.” The Print Collectors Newsletter, September-October, p. 147. |
1993 |
BEEM, Edgar Allen. “The Mysteries of Abstraction. Tom Lieber and David Row paint in parallel universes.” Maine Times, August 27. |
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GIMELSON, Deborah. “Paintings by Numbers.” Mirabella, February, p. 41. |
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DAGEN, Philippe. “Arts, Tout nouveau, tout frais.” Le Monde, June 11. |
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GREENLEAF, Ken. “Artists might as well be from opposite ends of the country.” Maine Sunday Telegram, August 29. |
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ZIMMER, William. “Yale Celebrates Its Artists and Collectors Since 1950.” The New York Times, June 27. |
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BRODIE, Jackie. “David Row.” The Print Collectors Newsletter, November-December, p. 187. |
1992 |
ROSE, Barbara. “The Abstract Art Renaissance.” Art & Auction, April, p. 40. |
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CARRIER, David. “Afterlight: Abstract Painting in the Era of Its Belatedness.” Arts Magazine, March, p. 60. |
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PAPARONI, Demetrio. “David Row: A Conversation With Demetrio Paparoni.” Tema Celeste, January/March, cover + pp. 94, 95. |
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BELL, Tiffany. “Looking at Kelly’s Paintings Now.” Artstudio, No. 24, pp. 158–175. |
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MURPHY, Mary. “Negotiating New Abstraction” New Art Examiner, Summer, pp. 16–20. |
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MAC ADAM, Barbara. “La Metafisica della Luce.” Art News, February. |
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TREVISAN, Giorgio. “Arte Senza Tempo.” Cronache Delle Arti, April, p. 2. |
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BRODIE, Jackie. “David Row.” The Print Collectors Newsletter, January-February. 1991 |
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BRENSON, Michael. “David Row.” The New York Times, March 15. |
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BROMBERG, Craig. “The Untitled Orbit: Abstraction Returns (again) — A New Generation Puts a Different Spin on Painting.” Art & Auction, October, p. 147. |
1991 |
DAGEN, Philippe. “On the Use of Color: Two Generations, Two Antagonistic Concepts of Painting, David Row and Gerhard Richter.” Le Monde, September. |
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SCHWABSKY, Barry. “David Row.” Arts Magazine, May, p. 76. |
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BOUZERAND, Jacques. “Selection Arts: David Row.” Le Point, September. |
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ZINSSER, John. “Geometry and Its Discontents.” Tema Celeste, Autumn, p. 72. |
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JOHNSON, Kenneth. “David Row.” Art in America, July. |
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MORGAN, Robert C. “David Row.” Tema Celeste, May/June, p. 93. |
1990 |
HYDE, James; KALINA, Richard; ROW, David. “The Ambiguity of Freedom: Three Painters Discuss Abstraction Now.” The Journal of Art, June/July/August, p. 29. |
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TAGER, Alisa. “David Row.” LAPIZ International Art Magazine, No. 77, April, p. 74. RUBINSTEIN, Meyer Raphael. “David Row.” Art News, May, p. 158. |
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____. “David Row.” The New Yorker, March 18. |
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MOORMAN, Margaret. “Paintings at Galerie Lelong.” Art News, November, p. 134. |
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SERVIN, James. “Soho Stares at Hard Times.” The New York Times Magazine, January 20. |
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____. “Synthesis.” The New Yorker, January. |
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ARDENNE, Paul. “David Row.” Art Press, No. 163, November, p. 88. |
1989 |
GALLIGAN, Gregory. “New York; Fields of Self-Inquiry.” Art International, Autumn, p. 55. |
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GRIMES, Nancy. “David Row.” Art News, September, p. 176. |
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HAGEN, Charles. “David Row.” Artforum, Summer, p. 143. |
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CYPHERS, Peggy. “New York in Review.” Arts Magazine, Summer, p. 91. |
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GILBERT-ROLFE, Jeremy. “The Current State of Nonrepresentation.” Visions Art Quarterly, Spring, pp. 3-7. |
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BAKER, Kenneth. “New Yorkers Showing at Haines Gallery.” San Francisco Chronicle, June 24. |
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BRENSON, Michael. “David Row.” New York Times. March 17. |
1987 |
WESTFALL, Stephen. “David Row at John Good.” Art in America, December, pp. 161, 162. |
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GIMELSON, Deborah. “Amman for all Seasons.” Art & Auction, November, pp. 190-197. |
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RUBINSTEIN, Meyer Raphael, WEINER, Daniel. “David Row.” Arts Magazine, September. |
1986 |
YELLIN, Deborah. “Review.” 108 Magazine, September. 1985 ____. Reproduction. Bomb Magazine, Winter. |
1983 |
SHAW, John. New Observations, 8. |
1982 |
KUSPIT, Donald. “Review.” ArtForum, April. |
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RUSSELL, John. “English Painters and American Draughtsmen.” The New York Times, March 21. |
1978 |
____. “Line-up: A Group Exhibition.” The Village Voice, October 23. |
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BELL, Jane. “From the Inside Looking Out.” New York Arts Journal, December. |
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SELECTED BOOKS AND CATALOGS |
2021 |
(forthcoming) GREENLEAF, Ken. The Shape of Things: David Row at CMCA. Maine Center for Contemporary Art, Rockland, ME. |
2016 |
SCHWABSKY, Barry. David Row: The Unity of the Manifold. Loretta Howard Galley, New York. |
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WILKIN, Karen. The Onward of Art. American Abstract Artists 80th Anniversary Exhibition, Jones Lang LaSalle, New York. (p. 5). |
2014 |
ZINSSER, John. David Row: There and Back. Loretta Howard Galley, New York. |
2012 |
KARMEL, Pepe. Conceptual Abstraction. Hunter College Press, New York. |
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LEHRER, Jonah. Emergence & Structure. UF Gainsboro Press. |
2011 |
HARING, Valerie and HILYARD, Matthew. Pulp: Works on Paper. E.B. White Gallery. (pp. 1, 10) |
2009 |
POLSKY, Richard. I sold Andy Warhol (too soon) Other Press, New York. |
2008 |
GRAEVENITZ, Antje von. Juxtapositions. Edition Von Bartha, Basel. (pp 16) |
2007 |
SCHUBERT, Lisa. The Flag Project, Rubin Museum of Art. (pp. 131, 185) |
2005 |
PERRY, Vicky. Abstract Painting. Watson Guptil Publications/ New York. (pp 34, 130, 134, with illustrations) |
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LEMOINE, Serge. Shriftbilder Bildershrift. “De Pictura et Poesi.” Edition Galerie von Bartha, Basel. (pp 44-45) |
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MOORE, John L, and JANOWICH, Ron. Thinking in Line. A Survey of Contemporary Drawing. University Gallery, University of Florida, Gainesville, FL. |
2001 |
SCHWABSKY, Barry. Under Pressure. Lyman Allyn Museum of Art at Connecticut College, New London, CT. |
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SANDBACK, Amy Baker, and KUSHNER, Marilyn S. College Proofs. The Riverhouse Editions. Mary and Leigh Block Museum of Art, Northwestern University, Chicago, IL. (pp. 11, 41, 96, 97) |
2000 |
PELLI, Cesar. National Airport Terminal. Rockport Publishers, Gloucester MA. (pp. 18, 107, 117) |
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DEVON, Marjorie. Tamarind: 40 years. University of New Mexico Press, Albuquerque, NM. (p. 78, 82, 85, 116, 164) |
1999 |
NEHER, Ross. Blindfolding the Muse. Prenom Press, New York. (p. 106) |
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KRZISNIK , Zoran. International Biennial of Graphic Arts 23. MGLC. Ljubljana, Slovenia. |
1997 |
ZINSSER, John. Continuous Model: the Paintings of David Row. Edition Lintel, Munich, Germany. (128 pages) |
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CARRIER, David. Fractures/Constructs. Claremont Graduate University/Pamela Auchincloss Gallery, Claremont, California. (128 pages) |
1996 |
ROSENTHAL, Mark. Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline. Guggenheim Museum Publications, New York, New York. (pp. 234, 235) |
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RINDLER, Robert. Painting Faculty. The Cooper Union School of Art. New York. (pp. 62-63, 78) |
1993 |
CAPPUCCIO, Elio. Sailing to Byzantium, with Disenchantment. Sergio Tossi. Prato, Italy. |
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MASCHEK, Joseph. Modernities: Art Matters in the Present. Pennsylvania State University Press. Pittsburgh, Pennsylvania. (pp. 297–301) |
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PAPARONI, Demetrio. Italia-America L’astrazione ridefinita. Galleria Nazionale d’Arte Moderna. Republica di San Marino. (pp. 134-139) |
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RUBINSTEIN, Meyer Raphael. David Row: Return to Orbit. John Good Gallery. New York. (16 pages) |
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WEBER, Nicolas Fox. Yale Collects Yale: 1950–1993. Yale University Museum of Art. New Haven, Connecticut. (pp. 80, 89, 95) |
1991 |
LEIGH, Christian. David Row. Galerie Thaddaeus Ropac, John Good Gallery, Feigen Gallery. Paris, New York, Chicago. (44 pages) |
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JANIS, Sidney. Conceptual Abstraction. Sidney Janis Gallery. New York. |
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OSTROW, Saul. Strategies for the Next Painting. Wolff Gallery, Feigen Incorporated. New York. PAPARONI, Demetrio. Architectures. Galleria In Arco. Turino, Italy. |
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PAPARONI, Demetrio. La Metafisica della Luce. John Good Gallery, NY. (pp. 10-12, 18-23, 54-55, 61) |
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TULLIS, Garner. David Row: A Silent Tableau. Fuji Gallery. Tokyo. (16 pages) |
1989 |
AUCHINCLOSS, Pamela. Geometry and Abstraction: An Evolution of Suprematist Thought. Persons & Lindell Gallery. Helsinki. |
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BEUTH, Reinhard; BUSSE, Paul; and CRONE, Ascan. Kunst im Congress Centrum Hamburg. Ascan Crone. Hamburg. (pp. 2, 9, 13, 86, 87) |
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MASHECK, Joseph. David Row: Row, Peirce, and the Texture of Thought in Painting. John Good Gallery. New York. (12 pages) |
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1988 OSTROW, Saul. David Row. Ascan Crone. Hamburg. (24 pages) |
1988 |
OSTROW, Saul. David Row. Ascan Crone. Hamburg. (24 pages) |
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KUSPIT, Donald. Sightings. Institute of North American Studies, Pratt Institute. Brooklyn, New York. |
1987 |
ZIMMER, William. David Row. John Good Gallery. New York. (8 pages) |
1982 |
BECK, Martha. New Drawing In America. The Drawing Center. New York. |