2021 EDGINGTON, Colin. “David Row at Locks Gallery” The Brooklyn Rail, May.
  KEYES, Bob. “Rockland gallery makes way for the shapes of David Row.” The Portland Press Herald, June , 6, Sunday Arts Section, p. 1.
2019 BEEM, Edgar Allen. “Maine and the Art World.” Maine Arts Journal, Fall 2019.
  BEEM, Edgar Allen. “Maine in the Abstract.” Maine Arts Journal, Summer 2019.
2018 MALONE, Peter. “Naught and Crosses: David Row at Loretta Howard.” Artcritical, October 2.
2017 MAC ADAM, Barbara. “DAVID ROW with Barbara MacAdam” The Brookly Rail, November 2.
2016 MAINE, Stephen. “Calisthenic Abstraction: Four Decades of David Row.” Artcritical, March 6.
2014 COHEN, David. “The Review Panel.” With panel: Barry Schwabsky, Drew Lowenstein and Nora Griffin, Artcritical, March 7 (with web podcast).
  MAC ADAM, Alfred. “David Row: Loretta Howard” Artnews, May, 2014, pp. 101.
2012 KARMEL, Pepe. “Conceptual Abstraction.” Hunter College Press, New York.
  LEHRER, Jonah. Emergence & Structure. UF Gainsboro Press.
2010 MATTER, Charlotte. “David Row.” Von Bartha Quarterly, Basel, Switzerland, 01/10, cover & pp. 8-9.
  HARING, Valerie and HILYARD, Matthew. “Pulp: Works on Paper.” E.B. White Gallery, March 2010, pp. 1, 10.
2009 POLSKY, Richard. “I sold Andy Warhol (too soon)” Other Press, New York.
2008 POLSKY, Richard. “An Art Mutual Fund” ArtNet Magazine, May 30, 2008, featured article.
2007 WEI, Lilly. “David Row at Von Lintel” Art in America, February 2007, pp. 148.
  MAC ADAM, Barbara. “The New Abstraction” Art News, April 2007, pp. 115.
  POLSKY, Richard. “Abstract Logic” Absolute, February/March 2007, pp. 65.
  SCHUBERT, Lisa. The Flag Project, Rubin Museum, 2007, pp. 131, 185.
2006 BAKER, RC. “Best in Show: David Row” Village Voice, November 8-14, pp. 59.
  NOBEL, Philip. “Frame of Reference.” Architectural Digest, February, pp. 146-147.
2005 LA ROCCO, Ben. “Ideal.” The Brooklyn Rail, July/August, p. 15.
  KIRSCH, Elisabeth. “Standout Parts.” The Kansas City Star, August 25, p. 27.
2004 FYFE, Joe. “David Row at Von Lintel.” Art in America, December, p. 131.
  NAVES, Mario. “David Row’s Futuristic Abstraction.” New York Observer, October 11, pp.18.
  WALTEMATH, Joan “Deep Space.” The Brooklyn Rail, October, pp. 22.
2003 BARBER, Cynthia “David Row’s Language of Abstraction.” Impressions: Tamarind Institute, Winter 2003.
2002 BROOKHART, Melissa. “David Row.” Tema Celeste, March/April, p. 90.
2001 MITCHELL, Charles Dee. “Range of Express… David Row Uses Lines and Color.” The Dallas Morning News, December 5, p. 14C.
  ZIMMER, William. “Where Landscapes Go Beyond a View of the Horizon.” The New York Times, Sunday, March 11.
  SHULL, Chris. “The ABCs of Art: Abstract Artist David Row.” The Wichita Eagle, June 24.
  DAWSON, Jessica. “Reading Between the Layers.” The Washington Post, January 16.
2000 KIRSCH, Elisabeth. “Trading tension for simplicity.” The Kansas City Star, April 7, p. 34.
  DIEHL, Carol. “David Row at von Lintel & Nusser.” Art in America, February, p. 125.
  SHEETS, Hilarie M. “David Row.” Art News, January, pp. 164, 166.
1999 EDELMAN, Robert. “David Row.” Art Net.Com, November 21.
  NAVES, Mario. “David Row Slowly Abandons Compositional Calculation.” New York Observer, November 15, pp. 17, 19.
  RIERER, Matthias. “New York–Traum Deutbemer Galeristen.” Aufban, November 12, Vol 23, pp. 9.
  JOHNSON, Ken. “David Row.” The New York Times, November 5, Section E, p. 44.
  MAC ADAM, Alfred. “David Row.” Art News, April, pp. 14, 121
  VINCENT, Steven. “Emmerich and Sothebys: What Happened?” Art & Auction, pp. 10-14.
  RIBI, Thomas. “Die Sprache der Geometrie auf Brechen.” Neue Zurcher Zeitung, February 5, p. 46
  ____. “Two Approaches to Genius.” Washington Post, February 11, p. 32.
  ERFLE, Anne. “Kraftegegen Neue Medien.” Suddeutsche Zeitung, February 11.
  HORNY, Tinga. “Hier Regiert die Vielfalt.” Handelsblatt Kunstmarkt, February 11.
1998 HOGREFE, Jeffrey. “Emmerich’s Artists Stage Revolt.” The New York Observer, October 12, pp. 1, 25.
  ____. “David Row.” Noëma, December, Nr. 50, p. 10.
  ____. “Flexing the Abs.” New York Contemporary Art Report, November, Vol. 1, Issue IV, p. 121.
  COLE, Mark. “David Row.” Artlies, Spring, p. 53.
  CARRIER, David. “Modernist Art and Its Market.” Art Journal, Winter, pp. 102, 104.
  DANIEL, Mike. “Expanding canvas: David Row energizes a venerable medium.” The Dallas Morning News, February 27, p. 51.
1997 ZINSSER, John. “Continuous Model: the Paintings of David Row.” Edition Lintel, Munich, Germany, 128 pp.
  MAC ADAM, Alfred. “Studio: David Row.” Art News, June, pp. 85, 86.
  SCHWABSKY, Barry. “The Widening Circle.” Cambridge University Press, Cambridge UK, pp. 9, 85-88, 93-94, 133.
  VON PILAR, Ute. “Blick in die Amerikanische Kunstszene.” Wiesbadener Kurier, September 5, 8, 18.
  VON MELTEN, Birgitta. “Plastikschlauch und Farbe.” Wiesbadener Tagblatt, September 1, 8.
  WISEMAN, Carter. “Flights and Fancy.” Art News, June, pp. 116-121.
  SCHMID, Britta. “Farbige Materialhaufen.” Rhein-Maine Zeitung, October 15.
  UPSHAW, Reagan. “David Row at André Emmerich.” Art in America, March, pp. 105, 106.
  KOPLOS, Janet. “Drawing from Life’ at Stark.” Art in America, May, p. 126.
  PAPARONI, Demetrio. “Il Corpo Vedente Dell’Arte.” Castelvecchi, Rome, p. 61.
  LINN, Charles, AIA. “Cesar Pelli’s New… National Airport…” Architectural Record, October, p. 94.
  PAPARONI, Demetrio. “Il Corpo Parlante Dell’Arte.” Castelvecchi, Rome, pp. 113-116.
  SMITH, Roberta. “Palettes Full of Ideas About What Painting Should Be.” The New York Times, November 1.
  ROSENTHAL, Mark. “Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline.” Guggenheim Museum Publications, New York, New York, pp. 234, 235.
  PERROT, Antoine. “Peindre? Enquete et Entretiens Sur La Peitre Abstraite.” Positions, Galerie B. Jordan M. Devarrieux, pp. 119-121, 153-156.
1996 SMITH, Roberta. “Palettes Full of Ideas About What Painting Should Be.” The New York Times, November 1.
  ROSENTHAL, Mark. “Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline.” Guggenheim Museum Publications, New York, New York, pp. 234, 235.
  PERROT, Antoine. “Peindre? Enquete et Entretiens Sur La Peitre Abstraite.” Positions, Galerie B. Jordan M. Devarrieux, pp. 119-121, 153-156.
1995 ROLLMANN, Barbara. “Aktuell im Munchner Galerien.” Suddeutsche Zeitung, NR 125, June 1.
  GLUCKMAN, Richard. “If I had…” Art & Auction, December, p. 87.
  RINDLER, Robert. “Who said the canvas was dead?” At Cooper Union, Fall, p. 4.
  GOLDBERGER, Paul. “The Art of His Choosing.” The New York Times Magazine, February 26, p. 39.
  MELROD, George. “Seducing the Eye” Art & Antiques, March, p. 32.
1994 ROSENTHAL, Mark. “Critique of Pure Abstraction: David Row.” Atelier International, June, cover + pp. 102, 103.
  SCHWABSKY, Barry. “David Row.” Artforum, February, p. 88.
  SALTZ, Jerry. “A Year in the Life: Tropic of Painting.” Art in America, October, p. 99.
  KALINA, Richard. “David Row.” Art in America, May, pp. 111, 112.
  BALDWIN, Karen. “Monotypes from Garner Tullis Workshop.” Ackland Quarterly, Winter, 1993-94, Number 39, cover + p. 9.
  BRODIE, Jackie. “David Row.” The Print Collectors Newsletter, September-October, p. 147.
1993 BEEM, Edgar Allen. “The Mysteries of Abstraction. Tom Lieber and David Row paint in parallel universes.” Maine Times, August 27.
  GIMELSON, Deborah. “Paintings by Numbers.” Mirabella, February, p. 41.
  DAGEN, Philippe. “Arts, Tout nouveau, tout frais.” Le Monde, June 11.
  GREENLEAF, Ken. “Artists might as well be from opposite ends of the country.” Maine Sunday Telegram, August 29.
  ZIMMER, William. “Yale Celebrates Its Artists and Collectors Since 1950.” The New York Times, June 27.
  BRODIE, Jackie. “David Row.” The Print Collectors Newsletter, November-December, p. 187.
1992 ROSE, Barbara. “The Abstract Art Renaissance.” Art & Auction, April, p. 40.
  CARRIER, David. “Afterlight: Abstract Painting in the Era of Its Belatedness.” Arts Magazine, March, p. 60.
  PAPARONI, Demetrio. “David Row: A Conversation With Demetrio Paparoni.” Tema Celeste, January/March, cover + pp. 94, 95.
  BELL, Tiffany. “Looking at Kelly’s Paintings Now.” Artstudio, No. 24, pp. 158–175.
  MURPHY, Mary. “Negotiating New Abstraction” New Art Examiner, Summer, pp. 16–20.
  MAC ADAM, Barbara. “La Metafisica della Luce.” Art News, February.
  TREVISAN, Giorgio. “Arte Senza Tempo.” Cronache Delle Arti, April, p. 2.
  BRODIE, Jackie. “David Row.” The Print Collectors Newsletter, January-February. 1991
  BRENSON, Michael. “David Row.” The New York Times, March 15.
  BROMBERG, Craig. “The Untitled Orbit: Abstraction Returns (again) — A New Generation Puts a Different Spin on Painting.” Art & Auction, October, p. 147.
1991 DAGEN, Philippe. “On the Use of Color: Two Generations, Two Antagonistic Concepts of Painting, David Row and Gerhard Richter.” Le Monde, September.
  SCHWABSKY, Barry. “David Row.” Arts Magazine, May, p. 76.
  BOUZERAND, Jacques. “Selection Arts: David Row.” Le Point, September.
  ZINSSER, John. “Geometry and Its Discontents.” Tema Celeste, Autumn, p. 72.
  JOHNSON, Kenneth. “David Row.” Art in America, July.
  MORGAN, Robert C. “David Row.” Tema Celeste, May/June, p. 93.
1990 HYDE, James; KALINA, Richard; ROW, David. “The Ambiguity of Freedom: Three Painters Discuss Abstraction Now.” The Journal of Art, June/July/August, p. 29.
  TAGER, Alisa. “David Row.” LAPIZ International Art Magazine, No. 77, April, p. 74. RUBINSTEIN, Meyer Raphael. “David Row.” Art News, May, p. 158.
  ____. “David Row.” The New Yorker, March 18.
  MOORMAN, Margaret. “Paintings at Galerie Lelong.” Art News, November, p. 134.
  SERVIN, James. “Soho Stares at Hard Times.” The New York Times Magazine, January 20.
  ____. “Synthesis.” The New Yorker, January.
  ARDENNE, Paul. “David Row.” Art Press, No. 163, November, p. 88.
1989 GALLIGAN, Gregory. “New York; Fields of Self-Inquiry.” Art International, Autumn, p. 55.
  GRIMES, Nancy. “David Row.” Art News, September, p. 176.
  HAGEN, Charles. “David Row.” Artforum, Summer, p. 143.
  CYPHERS, Peggy. “New York in Review.” Arts Magazine, Summer, p. 91.
  GILBERT-ROLFE, Jeremy. “The Current State of Nonrepresentation.” Visions Art Quarterly, Spring, pp. 3-7.
  BAKER, Kenneth. “New Yorkers Showing at Haines Gallery.” San Francisco Chronicle, June 24.
  BRENSON, Michael. “David Row.” New York Times. March 17.
1987 WESTFALL, Stephen. “David Row at John Good.” Art in America, December, pp. 161, 162.
  GIMELSON, Deborah. “Amman for all Seasons.” Art & Auction, November, pp. 190-197.
  RUBINSTEIN, Meyer Raphael, WEINER, Daniel. “David Row.” Arts Magazine, September.
1986 YELLIN, Deborah. “Review.” 108 Magazine, September. 1985 ____. Reproduction. Bomb Magazine, Winter.
1983 SHAW, John. New Observations, 8.
1982 KUSPIT, Donald. “Review.” ArtForum, April.
  RUSSELL, John. “English Painters and American Draughtsmen.” The New York Times, March 21.
1978 ____. “Line-up: A Group Exhibition.” The Village Voice, October 23.
  BELL, Jane. “From the Inside Looking Out.” New York Arts Journal, December.
2021 (forthcoming) GREENLEAF, Ken. The Shape of Things: David Row at CMCA. Maine Center for Contemporary Art, Rockland, ME.
2016 SCHWABSKY, Barry. David Row: The Unity of the Manifold. Loretta Howard Galley, New York.
  WILKIN, Karen. The Onward of Art. American Abstract Artists 80th Anniversary Exhibition, Jones Lang LaSalle, New York. (p. 5).
2014 ZINSSER, John. David Row: There and Back. Loretta Howard Galley, New York.
2012 KARMEL, Pepe. Conceptual Abstraction. Hunter College Press, New York.
  LEHRER, Jonah. Emergence & Structure. UF Gainsboro Press.
2011 HARING, Valerie and HILYARD, Matthew. Pulp: Works on Paper. E.B. White Gallery. (pp. 1, 10) 
2009 POLSKY, Richard. I sold Andy Warhol (too soon) Other Press, New York.
2008 GRAEVENITZ, Antje von. Juxtapositions. Edition Von Bartha, Basel. (pp 16)
2007 SCHUBERT, Lisa. The Flag Project, Rubin Museum of Art. (pp. 131, 185)
2005 PERRY, Vicky. Abstract Painting. Watson Guptil Publications/ New York. (pp 34, 130, 134, with illustrations)
  LEMOINE, Serge. Shriftbilder Bildershrift. “De Pictura et Poesi.” Edition Galerie von Bartha, Basel. (pp 44-45)
  MOORE, John L, and JANOWICH, Ron. Thinking in Line. A Survey of Contemporary Drawing. University Gallery, University of Florida, Gainesville, FL.
2001 SCHWABSKY, Barry. Under Pressure. Lyman Allyn Museum of Art at Connecticut College, New London, CT.
  SANDBACK, Amy Baker, and KUSHNER, Marilyn S. College Proofs. The Riverhouse Editions. Mary and Leigh Block Museum of Art, Northwestern University, Chicago, IL. (pp. 11, 41, 96, 97)
2000 PELLI, Cesar. National Airport Terminal. Rockport Publishers, Gloucester MA. (pp. 18, 107, 117)
  DEVON, Marjorie. Tamarind: 40 years. University of New Mexico Press, Albuquerque, NM. (p. 78, 82, 85, 116, 164)
1999 NEHER, Ross. Blindfolding the Muse. Prenom Press, New York. (p. 106)
  KRZISNIK , Zoran. International Biennial of Graphic Arts 23. MGLC. Ljubljana, Slovenia.
1997 ZINSSER, John. Continuous Model: the Paintings of David Row. Edition Lintel, Munich, Germany. (128 pages)
  CARRIER, David. Fractures/Constructs. Claremont Graduate University/Pamela Auchincloss Gallery, Claremont, California. (128 pages)
1996 ROSENTHAL, Mark. Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline. Guggenheim Museum Publications, New York, New York. (pp. 234, 235)
  RINDLER, Robert. Painting Faculty. The Cooper Union School of Art. New York. (pp. 62-63, 78)
1993 CAPPUCCIO, Elio. Sailing to Byzantium, with Disenchantment. Sergio Tossi. Prato, Italy.
  MASCHEK, Joseph. Modernities: Art Matters in the Present. Pennsylvania State University Press. Pittsburgh, Pennsylvania. (pp. 297–301)
  PAPARONI, Demetrio. Italia-America L’astrazione ridefinita. Galleria Nazionale d’Arte Moderna. Republica di San Marino. (pp. 134-139)
  RUBINSTEIN, Meyer Raphael. David Row: Return to Orbit. John Good Gallery. New York. (16 pages)
  WEBER, Nicolas Fox. Yale Collects Yale: 1950–1993. Yale University Museum of Art. New Haven, Connecticut. (pp. 80, 89, 95)
1991 LEIGH, Christian. David Row. Galerie Thaddaeus Ropac, John Good Gallery, Feigen Gallery. Paris, New York, Chicago. (44 pages)
  JANIS, Sidney. Conceptual Abstraction. Sidney Janis Gallery. New York.
  OSTROW, Saul. Strategies for the Next Painting. Wolff Gallery, Feigen Incorporated. New York. PAPARONI, Demetrio. Architectures. Galleria In Arco. Turino, Italy.
  PAPARONI, Demetrio. La Metafisica della Luce. John Good Gallery, NY. (pp. 10-12, 18-23, 54-55, 61)
  TULLIS, Garner. David Row: A Silent Tableau. Fuji Gallery. Tokyo. (16 pages)
1989 AUCHINCLOSS, Pamela. Geometry and Abstraction: An Evolution of Suprematist Thought. Persons & Lindell Gallery. Helsinki.
  BEUTH, Reinhard; BUSSE, Paul; and CRONE, Ascan. Kunst im Congress Centrum Hamburg. Ascan Crone. Hamburg. (pp. 2, 9, 13, 86, 87)
  MASHECK, Joseph. David Row: Row, Peirce, and the Texture of Thought in Painting. John Good Gallery. New York. (12 pages)
  1988 OSTROW, Saul. David Row. Ascan Crone. Hamburg. (24 pages)
1988 OSTROW, Saul. David Row. Ascan Crone. Hamburg. (24 pages)
  KUSPIT, Donald. Sightings. Institute of North American Studies, Pratt Institute. Brooklyn, New York.
1987 ZIMMER, William. David Row. John Good Gallery. New York. (8 pages)
1982 BECK, Martha. New Drawing In America. The Drawing Center. New York.