Born in Portland, Maine. Lives and works in New York City, and spends summers on Cushings Island, Maine. |
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EDUCATION | |
1974 | MFA. Yale University. New Haven, CT |
1972 | BA cum laude. Yale University. New Haven, CT |
SOLO EXHIBITIONS | |
2021 | Center for Maine Contemporary Art, Rockland, ME† |
Locks Gallery, Philadelphia, PA† | |
2019 | Portland Museum of Art, New Acquisitions Lobby Installation, Portland, ME |
2018 | Loretta Howard Gallery, New York† |
Octavia Gallery, New Orleans, LA | |
2017 | Locks Gallery, Philadelphia, PA |
2016 | Loretta Howard Gallery, New York, NY† |
2001 M Street Lobby Installation, Washington, DC | |
5 Bryant Park, Art Assets, New York, NY | |
2015 | Philip Slein Gallery, St. Louis, MO |
2014 | Loretta Howard Gallery, New York, NY† |
Terrazzo Art Projects, New York, NY | |
717 Fifth Avenue Art Assets, New York, NY | |
2013 | McClain Gallery, Houston, TX |
2011 | Holly Johnson Gallery, Dallas, TX |
2010 | Galerie von Bartha, Basel, Switzerland |
McClain Gallery, Houston, TX | |
2009 | Rosenbaum Contemporary Art, Boca Raton FL |
2008 | Icon Contemporary Art, Brunswick ME |
2006 | Von Lintel Gallery, New York, NY |
2005 | White8 Galerie, Villach, Austria |
2004 | Von Lintel Gallery, New York, NY |
2002 | Galerie von Bartha, Basel, Switzerland |
Von Lintel Gallery, New York, NY | |
2001 | The MAC (McKinney Avenue Contemporary), Dallas, TX |
Numark Gallery, Washington, DC | |
Edwin A. Ulrich Museum of Art, Wichita, KS | |
2000 | Galerie Brandstetter & Wyss, Zurich, Switzerland |
Galerie von Lintel & Nusser, Munich, Germany | |
Marella Arte Contemporanea, Milan, Italy | |
Jan Weiner Gallery, Kansas City, MO | |
1999 | Galerie von Lintel & Nusser, New York, NY |
Galerie Brandstetter & Wyss, Zurich, Switzerland | |
Betsy Senior Gallery, New York, NY | |
Numark Gallery, Washington DC | |
1998 | Turner + Runyon Gallery, Dallas, TX |
1997 | Galerie Thomas von Lintel, Munich, Germany† |
1996 | André Emmerich, New York, NY |
1995 | André Emmerich, New York, NY |
Galerie Thomas von Lintel, Munich, Germany | |
Locks Gallery, Philadelphia, PA | |
1994 | Pamela Auchincloss Gallery, New York, NY |
1993 | John Good Gallery, New York, NY† |
1992 | Ascan Crone Gallery, Hamburg, Germany |
Katy Block Fine Art, Boston, MA | |
1991 | Galerie Thaddaeus Ropac, Paris, France† |
Richard Feigen Gallery, Chicago, IL† | |
John Good Gallery, New York, NY† | |
Fujii Gallery, Tokyo, japan† | |
1990 | Galerie Thaddaeus Ropac, Salzburg, Austria |
1989 | John Good Gallery, New York, NY† |
Cava Gallery, Philadelphia, PA | |
1988 | Ascan Crone Gallery, Hamburg, Germany† |
1987 | John Good Gallery, New York, NY† |
1984 | 55 Mercer Street Gallery, New York |
1982 | State University of New York, Purchase, NY |
Art Galaxy, New York, NY | |
† denotes exhibition catalog | |
SELECTED GROUP EXHIBITIONS | |
2020 | From Géricault to Rockburne: Selections from the Michael & Juliet Rubenstein Gift. The Metropolitan Museum of Art at the Met Breuer, New York, NY. |
Here & There, curated by David Row. Cove Street Arts, Portland, ME. | |
Armory Show: Heat Wave. Locks Gallery at Pier 94, New York, NY. | |
American Abstract Artists Digital Prints:2012-2019. Transmitter Gallery, Brooklyn, NY. | |
2019 | Year in Review. Loretta Howard Gallery, New York, NY. |
Summertime Blues. Holly Johnson Gallery, Dallas, TX. | |
American Abstract Artists 75th Anniversary Exhibition Print Portfolio Traveling Exhibition: University of Houston–Clear Lake, Houston, TX. | |
Wrather West Kentucky Museum, Murray State University, Murray, KY. | |
2018 | Off the Wall. Locks Gallery, Philadelphia, PA. |
Improvisations and Premeditations. Phillip Slein Gallery, St. Louis, MO. | |
2017 | Shape Paintings: Elizabeth Murry, Jennifer Bartlett, Richard Tuttle, Ralph Humphrey, Joanna Pousette-Dart, and David Row. Locks Gallery, Philadelphia, PA. |
2016 | The Onward of Art. American Abstract Artists 80th Anniversary Exhibition, curated by Karen Wilkin, 1285 Avenue of the Americas Gallery, New York, NY. |
2015 | Making the Mark. Museum of Fine Arts, Houston, TX. |
Endless, Entire. Curated by Rachel Nackman, FiveMyles Gallery, Brooklyn, NY. | |
Choate Rosemary Hall’s 125th Celebration: Exhibition of Works by Alumni Artists. Paul Mellon Arts Center Gallery, Wallingford, CT. | |
Winter Review. Loretta Howard Gallery, New York, NY. | |
American Abstract Artists 75th Anniversary Portfolio Traveling Exhibition: Vanderbilt University Fine Arts Gallery, Nashville, TN. | |
B/W: Works on Paper. Bank of America Center, Houston, TX. | |
Sideshow Nation III: Circle the Wagons. Sideshow Gallery, Brooklyn, NY. | |
American Abstract Artists 75th Anniversary Portfolio Traveling Exhibition: Mary Wood University, Scranton, PA. | |
Back and Forth. Holly Johnson Gallery, Dallas, TX. | |
2014 | Out of Bounds. Neptune Fine Art, Washington, DC. |
Summer Group. Loretta Howard Gallery, New York, NY. | |
Sideshow Nation II: At the Alamo. Sideshow Gallery, Brooklyn, NY. | |
Sensory Impact. Morgan Stanley International. Purchase, NY. | |
To Leo: A Tribute from American Abstract Artists. Sideshow Gallery, Brooklyn, NY. | |
Homage to Roy Campbell. Kirili/Lopez-Huici Studio, New York, NY. | |
American Abstract Artists 75th Anniversary Portfolio Traveling Exhibition:Martin Gallery at Muhlenberg College, Allentown, PA., University of Mary Washington Galleries, Fredericksburg, VA. | |
2013 | Across Boundaries. Terazzo Art Projects, New York. Endless, McClain Gallery, Houston, TX. |
Summer Group Show. Phillip Slein Gallery, St. Louis, MO. | |
Dynamic Invention: American Abstract Artists 75th Anniversary Portfolio Exhibition, Brattleboro Museum & Art Center, Brattleboro, VT., traveling then to Sarah Moody Gallery, University of Alabama, Tuscaloosa, AL. Downtown Gallery, University of Tennessee, Knoxville, TN. | |
2012 | Emergence & Structure. Lafayette College, Easton, PA. |
Conceptual Abstraction. Curated by Pepe Karmel. Hunter College/Times Square Gallery, New York. Emergence & Structure. UF Gainsville, FL. | |
Emergence & Structure. Freedom Tower, Miami, FL. | |
After Paradise. Jason McCoy Gallery, New York, NY. | |
Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists. Johnson Museum of Art, Cornell University, Ithica, NY. | |
American Abstract Artists International, 75th Anniversary. Deutscher Kunstlerbund, Berlin, Germany. | |
American Abstract Artists International, 75th Anniversary. OK Harris Gallery, New York, NY. | |
Abstraction∞. The Icebox, Crane Arts, Philadelphia, PA. | |
2010 | Pulp, White Gallery, Butler College, Wichita KS. |
American Abstract Artists International. Aragonese Castle, Otranto, Italy. | |
Tamarind Touchstones: Fabulous at Fifty. University of New Mexico Art Museum, Albuquerque, NM. | |
2009 | Above and Below, Greenhut Galleries, Portland, ME. |
Manhattan Special. Poissant Gallery, Houston, TX. | |
Continuum. Bulletspace, New York, NY. | |
Summerize 2009, Jan Weiner Gallery, Kansas City, MO. | |
2008 | Juxtapositions, Galerie von Bartha, Basel, Switzerland. |
Pulling Ideas, Portland Museum of Art, Portland ME. | |
183rd Annual Invitational Exhibition, National Academy Museum, New York, NY. | |
Pulp drawings, Gallery 210, Brooklyn, New York, NY. | |
American Abstract Artists Slobodkina Tribute, The Painting Center, New York, NY. | |
Simple, Gallery 210, Brooklyn, New York, NY. | |
Linear Perspectives, June Fitzpatrick Gallery, Portland, ME. | |
2007 | Monoprints, Pace Prints, New York, NY. |
Everything I Do Always Comes Back To Me, Curated by Milton Glaser, Visual Arts Gallery, New York, NY. | |
Continuum, Saint Peter’s College Art Gallery, O’Toole Library, Jersey City, NJ. | |
2006 | Between The Lines, Drawings by Contemporary Artists, RxArt, Ralph Lauren, Miami, FL. |
New Editions, Brand X Projects, New York, NY. | |
New Monoprints, Pace Prints, New York, NY. | |
Maine Printmakers 1980-2005, Center for Maine Contemporary Art, Rockland, ME | |
2005 | Universal Medium, McClain Gallery, Houston, TX. |
Patterns and Grids, Pace Gallery, New York, NY. | |
Ideal: Selections from American Abstract Artists, Metaphor contemporary art, Brooklyn Optical Simulations, Yellow Bird Gallery, Newburgh, NY. | |
Suitcase, Museo Di Palazzo Pietromarchi, Marsciano, Italy. | |
2004 | Schriftbilder Bilderschrift, Galerie von Bartha. Basel, Switzerland. † |
Dialogue: Abstract. Recent Painting & Drawing. Space, New York. | |
Summarize/Summer Eyes 2. Jan Weiner Gallery. Kansas City, MO. | |
2003 | American Beauty, McClain Gallery. Houston TX. |
Thinking in Line : A Survey of Contemporary Drawing, curated by John Moore and Ron Janowich. University Gallery, University of Florida. Gainesville, FL.† | |
Faculty Exhibition. Lincoln Center Gallery, Fordham University. New York, NY. | |
Howl. Thomkins Square Park ‘Art in the Park’ Project. New York, NY. | |
Under Pressure: Prints from Two Palms Press. Arthur A. Houghton Jr. Gallery, The Cooper Union. New York. Before and After Science. Marella Arte Contemporanea. Milan.† | |
In Black and White. Scott Forrest Gallery. Millburn, NJ. | |
2002 | Zenroxy. Curated by Ivan Vera. von Lintel Gallery. New York, NY. |
The Drawing Center 25th Anniversary Benefit Selections Exhibition. The Drawing Center. New York, NY. | |
New Editions & Monoprints. Pace Prints. New York, NY. | |
Invitational Exhibition of Painting & Sculpture. American Academy and Institute of Arts and Letters. New York, NY. | |
Under Pressure. Second phase of travelling exhibition organized by Alexandra Muse and Pamela Auchincloss: University Gallery, University of Massachusetts. Amherst, MA. | |
Kent State University Art Gallery, Kent State University. Kent, OH. | |
Summarize/Summer Eyes. Jan Weiner Gallery. Kansas City, MO. | |
Choose Your Partner… An International Drawing Show. Nusser & Baumgart Contemporary. Munich, Germany | |
Connecting the Past to the Present. Edwin A. Ulrich Museum of Art. Wichita, KS. | |
2001 | Kinds of Drawings. Herter Art Gallery. University of Massachusetts. Amherst, MA. |
Under Pressure. Travelling exhibition organized by Alexandra Muse and Pamela Auchincloss: Lyman Allyn Museum of Art, Connecticut College, New London, CT. | |
The Scrick Art Gallery, Skidmore College, Saratoga Springs, NY. | |
Meadows Museum, Southern Methodist University, Dallas, TX. † | |
Painting Abstraction II. New York Studio School. New York, NY. | |
New Prints. Pace Gallery. New York, NY. | |
College Proofs: The Riverhouse Editions Collection at the Mary and Leigh Block Museum of Art. Northwestern University, Chicago, IL. † | |
To Benefit the Children (silent auction to benefit families of the WTC disaster). Satellite Project Space, LIC, Queens, NY. | |
2000 | Drawings & Photographs. Invitational Benefit Exhibition. Matthew Marks Gallery. New York, NY. |
Inner Eye: Contemporary Art from the Marc and Livia Straus Collection. Neuberger Museum of Art. Purchase. New York, NY. | |
One by One, Painting versus Drawing. Galerie von Lintel & Nusser. Munich, Germany. | |
1999 | International Biennial of Graphic Arts 23. Mednarodni Graficˆni Likovni Center. Ljubljana, Slovenia. 1999 Abstract American Painting. Bernier/Tanit. Brussels, Belgium. |
Group Show. Barbara Davis Gallery. Houston, TX. | |
1998 | Flexing the Abs. RareArt Properties, Inc. New York, NY. |
Masters of the Masters. Butler Institute of American Art. Youngstown, OH. | |
The Inner Eye. Samuel P. Harn Museum of Art. University of Florida. Gainesville, FL. | |
1997 | Divergent Models. Nassauischer Kunstverein. Wiesbaden, Germany.† |
New Abstraction. Betsy Senior Gallery. New York, NY. | |
Small Paintings. Green on Red Galleries. Dublin, Ireland. | |
Fractures/Constructs. Claremont Graduate University. Claremont, California.† | |
Drawing from Life. Invitational Drawing Exhibition. Stark Gallery. New York, NY. | |
National Airport Artists on Paper. Numark Gallery. Washington, DC. | |
1996 | Trois Collections d’Artistes. Musee des Beaux Arts. La Chaux de Fonds, Switzerland. |
Acquiring Minds: Contemporary Art in Santa Barbara Collections. Contemporary Arts Forum. Santa Barbara, CA. | |
Abstraction. Turner, Byrne + Runyon. Dallas, TX. | |
1995 | Critiques of Pure Abstraction. Armand Hammer Museum of Art, UCLA. Los Angeles, CA. |
Mark Rosenthal, Guest Curator, Independent Curators Inc. New York, NY.† | |
Repicturing Abstraction: The Abducted Image. Marsh Art Gallery, University of Richmond. Richmond, VA.† | |
New York Paper Now. Galerie Thomas von Lintel. Munich, Germany. | |
Faculty Painting. Houghton Gallery, The Cooper Union. New York, NY.† | |
Embraceable You. Ringling School of Art and Design. Sarasota, FL.† | |
Tamarind: Into the Nineties. Weatherspoon Art Gallery, University of North Carolina. Greensboro, NC. Traveling to Lehigh University Art Galleries, Bethlehem, PA; Herter Art Gallery at the University of Massachusetts at Amherst, MA; and University of New Hampshire Art Galleries at Durham, NH. | |
Una Nouva Tradizione Americana. Galleria Oddi Baglioni. Rome, Italy. | |
Paper View. Cohen Berkowitz Gallery. Kansas City, MO. | |
1994 | Just a Story from America. Galleria In Arco. Turin, Italy. |
Praticamente Argento. Studio La Cittá. Verona, Italy. | |
Critiques of Pure Abstraction. Blaffer Gallery, University of Houston. Houston. Mark Rosenthal, Guest Curator, Independant Curators Inc. New York, NY.† | |
New York Abstract Painting. Salvatore Ala Gallery. New York, NY. | |
Pittura Americana. Galleria Oddi Baglioni. Rome, Italy. | |
Color. Pamela Auchincloss Gallery. New York, NY. | |
Cross Cultural Influences in Painting. E.S. Vandam. New York, NY. Curated by Saul Ostrow. | |
1993 | Recent Tamarind Prints. University of New Mexico Art Museum. Albuquerque, NM. |
New American Abstraction: The Conscious Gesture. Locks Gallery. Philadelphia, PA | |
New Abstraction. Betsy Senior Contemporary Prints. New York, NY. | |
David. Horodner/Romley Gallery. New York, NY. Curated by Saul Ostrow. | |
Modernities. Baumgartner Galleries, Inc. Washington DC. Curated by Joseph Masheck and Manfred Baumgartner. | |
Tom Lieber/David Row. Maine Coast Artists. Rockport, ME. | |
Sailing to Byzantium with Disenchantment. Sergio Tossi. Prato, Italy. Curated by Elio Cappuccio.† | |
Jours Tranquilles á Clichy. Rue Rochechouart. Paris, France. Curated by Alain Kirili. (& Tennisport Arts, New York.) | |
Abstract Painting. Evelyn Aimis Gallery. Boca Raton, FL. | |
Yale Collects Yale: 1950–1993. Yale University Museum of Art. New Haven, CT.† | |
Italia/America l’Astrazione Redefinita. State Museum of San Marino. San Marino, Italy. Curated by Demetrio Paparoni.† | |
1992 | Invitational Exhibition of Painting and Sculpture. American Academy and Institute of Arts and Letters. New York. |
Baziotes to Basquiat…and Beyond. Bellas Artes. Santa Fe, NM. | |
Emerging New York Artists. University of Nebraska. Omaha, NE. | |
Summer Becomes Eclectic. Mars Gallery. Tokyo, Japan. | |
New York Selections: Contemporary Works on Paper. Sunrise Art Museum. Charleston, VA. | |
Prints. Betsy Senior Contemporary Prints. New York, NY. | |
1991 | Thaddaeus Ropac Gallery. Paris, France. |
Senza Tempo. Studio La Cittá . Verona, Italy. | |
Conceptual Abstraction. Sidney Janis Gallery. New York, NY.† | |
Architectures. Galleria In Arco. Turin, Italy.† | |
La Metafisica della Luce. John Good Gallery. New York, NY. Curated by Demetrio Paparoni.† | |
Figuring Abstraction. Vrej Baghoomian Gallery. New York, NY. | |
Invitational. Tony Shafrazi Gallery. New York, NY. | |
Strategies for the Next Painting. Wolff Gallery. New York, NY.† | |
Strategies for the Next Painting. Feigen Gallery. Chicago, IL.† | |
Synthesis. John Good Gallery. New York, NY. | |
Painting. Galerie Lelong. New York, NY. | |
Drawings. Pamela Auchincloss Gallery. New York, NY. | |
Works on Paper. John Good Gallery. New York, NY. | |
Monotypes from the Garner Tullis Workshop. Thomas Segal Gallery. Boston, MA. | |
1990 | Rope. Fernando Alcolea. Barcelona, Spain. Curated by Christian Leigh. |
Working on Paper. High Museum of Art. Atlanta, GA. | |
Geometric Abstraction. Marc Richards Gallery. Los Angeles, CA. | |
10 Abstract Painters. Baumgartner Galleries, Inc. Washington, DC. | |
Untitled. John Good Gallery. New York, NY. | |
Provocative Abstraction: New Painting, New York. Karl Bornstein Gallery. Los Angeles, CA. | |
1989 | Contemporary Works on Paper. John Good Gallery. New York, NY. |
Geometric Abstraction. Persons Lindell Gallery. Helsinki, Finland.† | |
Post-Modern Painters. John Good Gallery. New York, NY. | |
Simple in Appearances. Marc Richards Gallery. Los Angeles, CA. | |
Painting Between the Sacred and the Profane. Galerie Rahmel. Cologne, Germany. | |
Neo Geo/New Abstraction. The J.B. Speed Art Museum. Louisville, KY. | |
Methods of Abstraction. Gallery Urban. New York, NY. | |
Fundamental Abstraction. Haines Gallery. San Francisco, CA. | |
Sightings. Institute of North American Studies. Barcelona, Spain.† | |
Works on Paper. Shea & Beker Gallery. New York, NY. | |
1987 | Group Invitational. M-13 Gallery. New York, NY. |
Solid Abstraction. Saxon Lee Gallery. Los Angeles, CA.† | |
Stimulation. John Good Gallery. New York, NY. | |
Romantic Science. One Penn Plaza. New York, NY. Curated by Carola Van den Houten and Stephen Westfall. | |
1986 | William Baziotes, George Negroponte, David Row. John Good Gallery. New York. NY. |
Invitational. Condeso Lawler Gallery. New York, NY. | |
Twelve from New York. Yale University School of Art. New Haven, Connecticut, CT. | |
Not Flat. The Pyramid Club. New York, NY. | |
1985 | General Electric Winter Drawing Show. General Electric Corporate Headquarters. Stamford, CT. |
1982 | New Drawing in America. The Drawing Center. New York, NY.† |
Regular Artists. Painting Space 122. New York, NY.† | |
1981 | The Chelsea Saloon Show. The Chelsea Saloon. New York, NY. |
1978 | Line-up. The Drawing Center. New York, NY. |
1975 | MFA Thesis Show. Yale University School of Art, New Haven, CT. |
PRINTMAKING PROJECTS AND EDITIONS | |
2018 | Two Palms Press. Hazards Suite: Silkscreens. New York, NY. |
2016 | Two Palms Press. Monoprints. New York, NY. |
2014 | Tamarind Institute. Lithography. University of New Mexico. Albuquerque, NM. |
As a special 10th Anniversary Commission for the Clay Center of Arts and Sciences, Charleston, WV. | |
2013 | Two Palms Press. Raw Material: Sixteen Monoprints. New York, NY. |
Oehme Graphics. Probability: Fifteen Editions. Steamboat Springs, CO. | |
2006-2007 | Pace Editions. Notes from the Street: Eighteen Monoprints. New York, NY. |
2006 | Tamarind Institute. Lithography. University of New Mexico. Albuquerque, NM. |
2005 | Pace Editions. Elements: A Suite of Five Color Etchings. New York, NY. |
Brand X Editions. Screen Prints and Monoprints. New York. | |
2004 | Pace Editions. Etchings and Monotypes. New York, NY. |
2003 | Tamarind Institute. Lithography. University of New Mexico. Albuquerque, NM. |
2002 | Two Palms Press. Monotypes. New York, NY. |
2001 | Pace Editions. Etchings and Monotypes. New York, NY. |
2000 | Riverhouse Editions. Etchings. Steamboat Springs, CO. |
1999 | Two Palms Press. Monotypes. New York, NY. |
1998 | Tamarind Institute. Lithography. University of New Mexico. Albuquerque, NM. |
1997 | Two Palms Press. Monotypes. New York, NY. |
1995 | Pace Editions. Drypoint and Monotypes. Spring Street Workshop, New York, NY. |
Echo Press. Lithography. Bloomington, IN. | |
Two Palms Press. Monotypes. New York, NY. | |
1994 | Pace Editions. Etching, Aquatint, Drypoint and Monotype. Spring Street Workshop, New York, NY. |
Two Palms Press. Monoprint. New York, NY. | |
1993 | Tamarind Institute. Lithography. University of New Mexico. Albuquerque, NM. |
1992 | Galerie Lelong. Etching, Aquatint, Drypoint and Monotype. Paris, France. |
1991 | Tamarind Institute. Lithography. University of New Mexico. Albuquerque, NM. |
1990 | Garner Tullis Workshop. Monoprint. New York, NY. |
Garner Tullis Workshop. Monotype and Woodcut. Santa Barbara, CA. | |
1989 | Garner Tullis Workshop. Monotype and Woodcut. New York, NY and Santa Barbara, CA. |
Garner Tullis Workshop. Monotype. New York, NY. | |
PUBLIC COLLECTIONS | |
Ackland Art Museum. University of North Carolina at Chapel Hill, NC. | |
Allentown Art Museum. Allentown, PA. | |
The Brooklyn Museum. Brooklyn, New York, NY. | |
Carnegie Museum of Art. Pittsburgh, PA. | |
Edwin A. Ulrich Museum of Art. Wichita, KS. | |
Eli Luria Library, Santa Barbara City College. Santa Barbara, CA. | |
Galleria Nazionale D’Arte Moderna. San Marino, Republica di San Marino. | |
The Hood Museum of Art. Dartmouth College, Hanover, NH. | |
The Hudson Valley Center for Contemporary Art. Peekskill, NY. | |
JP Morgan Chase, New York, NY. | |
Mary and Leigh Block Museum of Art. Northwestern University, Chicago, IL. | |
Mead Art Museum. Amherst College, Amherst, MA. | |
The Metropolitan Museum of Art. New York, NY. | |
Museum of Contemporary Art. San Diego, CA. | |
Museum of Fine Arts. Houston, TX. | |
Museum of Modern Art. New York, NY. | |
New York Public Library. New York, NY. | |
Oklahoma Museum of Art, Oklahoma City, OK. | |
Paul Mellon Arts Center at Choate Rosemary Hall. Wallingford, CT. | |
Portland Museum of Art, Portland, ME. | |
Rochester Institute Museum Collection, Rochester, New York, NY. | |
Rutgers, The State University of New Jersey, Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ. | |
RxArt, New York, New York. | |
Sherbrooke Fine Arts Museum, Sherbrooke, Quebec, Canada. | |
Spencer Museum of Art, University of Kansas, Lawrence, KS. | |
Thacher Proffitt & Wood, New York, NY. | |
University of Massachusetts, University Gallery. Amherst, MA. | |
University of Miami Art Gallery. Miami, OH. | |
University of New Mexico Art Museum. Albuquerque, NM. | |
Washington National Airport. Cesar Pelli Commission. Washington, DC. | |
2001 M Street Lobby, Washington, DC. | |
TEACHING EXPERIENCE | |
Faculty Positions | |
2007-present | Professor, MFA Fine Arts Program, The School of Visual Arts, New York, NY. |
2003-2007 | Associate Professor, Visual Arts Department. Fordham University, Bronx, NY. |
1996-2003 | Associate Professor, MFA Fine Arts Program The School of Visual Arts, New York, NY. |
2000-2001 | Associate Professor, Princeton University, Princeton, NJ. |
1998-1999 | Assistant Professor, Graduate Program. Hunter Collage, City University of New York. New York, NY. |
1994-1996 | Assistant Professor, Advanced Painting. The Cooper Union of the Arts and Sciences, New York, NY. |
1985-1986 | Assistant Professor, Light, Color, and Design. Pratt Institute, Brooklyn, NY. |
1977-1990 | Instructor of Foundation, 2D, Drawing and Color. The School of Visual Arts, New York, NY. |
1977-1978 | Drawing and Photography. Rutgers University, Newark, NJ. |
1973-1974 | Teaching Assistant, Advanced Painting. Yale University, New Haven, CT. |
Visiting Lecturer and Critic | |
2014 | Faculty Lecture. The School of Visual Arts. New York, NY. |
Visiting Artist and Lecturer. The Clay Center of Arts and Sciences, Charleston, WV. | |
2011 | Visiting Jurist and Lecturer. Portland Museum of Art, Portland, ME. |
2006 | Visiting Critic and Lecturer. The School of Visual Arts MFA Fine Arts Program, New York, NY. |
Visiting Critic and Lecturer. Mass Art, Boston, MA. | |
2005 | Visiting Lecturer. New York Studio School, New York, NY. |
2004 | Visiting Critic and Lecturer. Hartford School of Art, Hartford, CT. |
2003 | Visiting Critic and Lecturer. Florida Atlantic University, Boca Raton, FL. |
2002 | Visiting Critic. Rhode Island School of Design, Providence, RI. |
Visiting Critic. Fordham University, New York, NY. | |
2001 | Visiting Critic and Lecturer. Pratt Institute, Brooklyn, NY. |
2000 | Visiting Critic and Lecturer. Kansas City Art Institute, Kansas City, MO. |
Visiting Lecturer. Memorial Art Museum, Rochester, NY. | |
Visiting Critic. Rochester Institute of Technology, Rochester, NY. | |
1998 | Visiting Lecturer. Princeton University, Princeton, NJ. |
Visiting Lecturer. Pratt Institute, Brooklyn, NY. | |
Visiting Lecturer. Hunter College, City University of New York, NY. | |
1997 | Visiting Lecturer and Critic. The Claremont Graduate School of Art, Claremont, CA. |
1996 | Visiting Lecturer and Painting Critic. Mt. Royal School of Art, Maryland Institute, Baltimore, MD. |
1995 | Visiting Lecturer and Critic. The Claremont Graduate School of Art, Claremont, CA. |
Visiting Professor. The Claremont Graduate School of Art, Claremont, CA. | |
1994 | Visiting Lecturer and Painting Critic. Kent State University, Kent, OH. |
1993 | Visiting Lecturer and Critic. Syracuse University, Syracuse, NY. |
Visiting Artist, Tamarind Institute, University of New Mexico. Albuquerque, NM. | |
1991 | Visiting Artist in Lithography. Tamarind Institute, University of New Mexico. Albuquerque, NM. |
1990 | Visiting Lecturer. New York Studio School, New York, NY. |
Visiting Lecturer and Painting Critic. Montserrat College of Art, Beverly, MA. | |
1988 | Visiting Critic. Pratt Institute, Brooklyn, NY. |
1987 | Visiting Lecturer and Critic. Bates College, Lewiston, ME. |
1986 | Panelist for Symposium, “Twelve from New York.” Yale School of Art, New Haven, CT. |
1981 | Visiting Lecturer and Painting Critic. Tyler School of Art, Temple University, Philadelphia, PA. |
AWARDS | |
2008 | Isaac N. Maynard Prize for Painting, National Academy Museum, New York. |
1987 | National Endowment for the Arts Grant in Painting. |
1971-1972 | Scholar of the House in Painting. Yale University, New Haven, CT. |